Meet the Talent: TRPL BLK X DJ PRINCE

FOR IMMEDIATE RELEASE
TRPL BLK & DJ PRINCE RELEASE “NATIONAL DEBUT” LP

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ALBUM OF THE DAY ON BANDCAMP DAILY

SUPPORT FROM DANNY BROWN & CRAIG SJ FROM NEW YORK MAGAZINE

“National Debt touches on multiple styles—Detroit’s ghetto tech, traditional hardcore hip-hop, a singular trap cadence on “Windows 95,” and bashment, or Jamaican dancehall—with the title track setting the tone for the project.” —Bandcamp

New York, NY (August 2, 2017) — Gritty in its delivery, and sometimes lo-fi in its production, “National Debt” finds Detroit-native rapper-songwriter TRPL BLK and Long Island’s DJ Prince, who also raps on the project, on a financial escapade. From the start, informative and insightful skits affix the convictions of their album like they did in the nineties.

In a time where trap regulates urban sound waves and global pop culture, TRPL BLK and DJ Prince have chosen to use their creativity to coach, in the same way, Jay-Z’s “4:44” does. The differences lie within the creation. In verity, TRPL BLK and DJ Prince come from families who are financially astute. However, they are in the trenches, with groups of people, they want to educate.

On their own, they’ve garnered support from several media outlets from the likes of Complex, Fact Mag, SPIN, Okayplayer, 2DOPEBOYZ
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TRPL BLK + DJ PRINCE
National Debt
Mobile Kitchen
07/07/17
iTunes

1. Intro
2. Bag Drop
3. Meal Ticket
4. National Debt
5. Cheddar Make It Wetter
6. Back Blocks
7. Invest That
8. F U Pay Me
9. Windows 95
10. Stay Down
11. Choppa Jit featuring Conway
12. NoCash No Pum Pum

Twitter usernames:
@trpl_blk
@wifiog

*MP3 or other audio files available upon request.

About ‘National Debt:’
Delving into the layers of each composition, individuality, and solidarity glistens through the bass-heavy selections. Unlike most albums today, “National Debt” ventures into multiple genres that are indigenous to its makers (Detroit’s ghettotech, traditional hardcore hip-hop, a singular trap cadence on “Windows95,” and bashment or Jamaican dancehall). The title track grounds the project, setting the tone, lyrically and visually.

Conway, who recently inked a deal with Eminem’s Shady Records, is the only feature (“Choppa Jit”). In the Buffalo-native rapper’s verse, he boasts about what the gentlemen have in common: Earning hard cash, reprimanding anyone who threatens their peace, and Danny Brown. Other collaborations and silent input came forth in the A&R, production, and visual side. Dart Adams, Combat Cottonwood, Hillie Hill, Dusty Fingerz, Von Styles, and myself are credited.

On an another note: Whether one chooses to see it or not, there are also streaks of encouragement for female-run businesses in the 12-track effort (“National Debt,” “Cheddar Make It Wetter” and “No Cash No Pum Pum”). Women have been written off or written out of America’s economy for so long. We’re still fighting for the so-called Equal Pay Act of 1963 to kick in now, so it is a refreshing inclusion.

Press:
For all ‘National Debt’ press inquiries, please contact Richardine Bartee at GrungeCake – richardine@grungecake.com or richardinebartee@icloud.com

Connect with TRPL BLK
Twitter • Facebook • Instagram • SoundCloud • iTunes • Spotify

Connect with DJ Prince
Twitter • Instagram • SoundCloud • iTunes • Spotify

Richardine Bartee
richardinebartee@icloud.com